Manx Destubt V2 Guide de l'utilisateur

Bit 100 Version [2] 1.3

Pulse Width Modulation Both of the Bit-100 v2’s oscillators have the option of selecting a pulse wave, which looks like this: The pulse waves have a

Meet the Bit-100 v2’s Filter Whilst the Bit 100’s filter may appear mundane to those familiar with synthesis, it can really deliver, especially when c

Bit-100 v2’s Filter continued.. ENV (Enelope Amount) (3) This controls how much filter cut off is influenced by the filter’s personal envelope generat

A - (1) ATTACK D - (2) DECAY S - (3) SUSTAIN R - (4) RELEASE A - (5) VELOCITY TO ATTACK AMT - (6) VELOCITY TO OVER-ALL VOLUME (EG amount). PRG VOL

Meet the Bit-100 v2’s envelopesAs has been described already, the Bit-100 v2 has two ADSR type envelopes, one exclusively for use with the filter and

8 CAUTION: If you reduce the Bit-100 v2 envelope’s SUSTAIN amount, the peak of the envelope’s output can actuallyrise - the Bit-100 v2 attempts to re

At extreme settings, the peak of an Bit-100 v2 envelope can be so snappy that it becomes important to co-ordinatethe attack times of the two envelopes

Low Frequency OscillatorsLFO DestinationsJust like the Bit-100 v2’s main oscillators, the low frequency oscillators (LFOs) create waveforms. You can

The Bit-100 v2 has its own fully integrated patch memory & recall system, a much enhanced version of whatis available on the original Bit One.Clic

Contents Getting Started Introduction...3Installation...

19 Control Panel Master Volume, Master Tune Click on the knob and drag to the left before moving up and down to adjust - this will give you the fine a

Continuous Control & Midi Learn Right click on any switch or knob to bring up a menu which will allow you to either manually assign

Appendix One: Crumar Bit One Background22 Appendix One - Crumar Bit OneIt is often stated that the Bit One synthesizer was designed by Mario Maggie, t

Frequencyintensity (volume)The basics... You may think of a synthesizer filter as being rather like a single ‘tone’ control that you might find o

8 Frequency and Waveforms...a little bit of magic!It just so happens that sound waves don’t like to propagate through air in any form

When an equalizer (EQ) or filter is applied to a sound, it is adjusting the relative balance of the component sine waves in that sound. A sound which

TROUBLESHOOTING & KNOWN ISSUES These issues apply to Bit-100 v2 version 1.1 and may be resolved in subsequent

CREDITS CRUMAR BRAND IS COPYRIGHT OF V.M. CONNECTION - we thank them for their assistance. We would like to thank the following contributors: Jeff M

Demo version available - Never expires

Other Manx Instruments:SJ-2 MM-2 XS-4 Destiny v2 Gigmate v2 http://www.manxsynthesizers.com/Copyright 2015 Manx SynthesizersThank you for supporti

2 Introduction Congratulations on acquiring the Manx Bit 100 poly-synth. Despite several short comings, the Crumar ‘Bit’ range of analog synthesize

Installation Please extract the contents of your downloaded

5 Getting StartedThe Parameter map is the chart style diagram in the lower portion of the Bit 100 interface. This is fully interactive – click on the

DCO1DCO2MixerFilter(VCF)Amp(VCA)LFO1Audio PathPitch BendNoiseLFO2Key TrackPWM FilterEnvelope Amp EnvelopePitch

Meet the Bit-100 v2’s Oscillators7 Programming -Oscillators2121OVERVIEWThe original Crumar Bit One’s oscillators used a proprietary mixture of digital

8 Programming -Oscillators221213Each of the Bit 100’s oscillators can mix together 3 different waveforms; Triangle, Sawtooth & Pulse. The latter’